猎捕游戏

退役前，邦·汉姆（汤米·李·琼斯 Tommy Lee Jones 饰）是一名特种兵训练教官，凭借着自己出色的身手和丰富的野外生存经验，邦·汉姆训练出了一支战斗力和破坏力的极其强大的特种精英部队。城市周边发生的几起谋杀案让居民们陷入了恐慌，负责该案件的女探员艾比（康妮·尼尔森 Connie Nielsen 饰）找到了早已远离江湖的邦·汉姆，希望他能够协助她破案。 经过了一些列的调查和追踪，邦·汉姆发现凶手的作案手法和风格与自己十分相似，那也就意味着，这个嗜血的凶徒，很可能就是自己曾经教导过的学生。渐渐的，一个名叫亚伦（本尼西奥·德尔·托罗 Benicio Del Toro 饰）的男人的身影浮出了水面，他正是凶手本人，而他所作的这一切不为了别的，只为了引诱邦·汉姆再度出山。

电竞之王

影片讲述了一个与电竞游戏相关的故事：陈聪明在现实世界是个碌碌无为的屌丝游戏迷，一次偶然，他穿越到了以游戏为主流的平行世界，如鱼得水的他泡上总裁千金，攀上公司最高层，天天玩游戏就可以挣大钱！忘乎所以的陈聪明抛弃了曾经的发妻，此时上天又让他穿越回到现实世界，不肯接受再次沦为屌丝的命运，陈聪明抛弃了爱他的人，选择了再一次穿越，谁知这一次穿越竟然穿越到了未来，三十年后的平行世界！虽然这时陈聪明已在人生之巅，不过他的身边没有一个真正关心，真正爱他的人，陈聪明决定为自己赎罪。

身在内陆

　　Vienna, 1920. The Austro-Hungarian Empire has collapsed. Peter Perg returns home from the Great War, after seven years as a Russian POW. Vienna is experiencing the multiplicity of political, social and artistic freedom, but also the rise of anti-democra

相扑场的咏叹调

lismo配信新しい形のドラマ古賀幸子24歳。弟のワタルにとって、姉の結婚は悲願であり夢であった。誰から見ても姉・幸子の男運は小学校以来、サイテーそのもので・・・その一部始終を目撃してきたのがワタルだった。そんな幸子に婚期が訪れる。感慨に浸るワタルは幸せそうな幸子を見つめていた。そして花嫁・幸子の前に花婿が現れる・・・。人気映画監督が贈る、新しい形のドラマプロジェクト!山下敦弘×栗山千明×森山未來が全ての女性に贈る、”究極の片思い”ラブコメディ!企画・制作には「ALWAYS三丁目の夕日」シリーズなど話題作を手掛けるROBOTが参加!ドラマ制作には、映画「ALWAYS三丁目の夕日」シリーズなど数々の話題作を手掛けその企画力と高いスキルで定評のあるROBOTが参加。第81回アカデミー賞において邦画初となる短編アニメ映画賞を受賞した「つみきのいえ」プロデューサー陣をスタッフとして迎え、完成度の高い作品が完成!

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

22-23赛季NBA常规赛 国王VS灰熊

11月23日 22-23赛季NBA常规赛 国王VS灰熊

灵异妙探第四季

灵异妙探(Psych)是一部美国侦探/罪案题材的喜剧，讲述一个年轻的警署顾问Shawn，有敏锐的观察力和缜密的推理能力，通过罪案现场的一点点蛛丝马迹和犯罪嫌疑人的不经意的小动作，就可以推理出罪案经过和真凶；而喜欢搞笑和恶作剧的Shawn则故意装做自己会通灵探案。

我的名字

智友加入贩毒集团成为卧底警察，以追寻父亲死亡背后的真相。在复仇的过程中，她将直面残酷的事实。

钱的化身

电视剧《钱的化身》是围绕因 为钱而失去所有的一个男人，以诙 谐和讽刺的方式，刻画了韩国的贿 赂、偷税漏税等不正之风。

若是一个人国语

故事开始时，将届30岁的方佳莹， 被迫，展开了这场“一个人”的幸福冒险。 故事结束时，佳莹经历了“一个人→两个人→再度一个人”的一年， 她终于懂了，她仍然需要爱情、朋友和家人， 只不过所有的他们，并不会时时刻刻、理所当然陪着你， 他们总有一天会不在你身边， 面对这样的现实，在最需要温暖和帮助的时候， 你要让“自己”成为最厉害的备胎。 “学会不孤单、也不要让自己寂寞，那些都是因为缺乏所带来的情绪。”

极限速递

贫困生韦立锋，在赶往教室途中，无意撞坏了陈小美的小提琴，经过协商，韦立峰保证在一个月内赔偿给陈小美面对所剩无几的生活费和债务，决定在校园做跑腿业务。与陈小美的多次接触中，韦立锋与陈小美也互相产生了感情。陈小美发现男友张赫背叛自己，决定分手，但张赫认为分手的事与韦立锋有关，欲报复韦立锋，却被韦立锋当众羞辱。张赫找来社会人员劫持陈小美，在同学们的帮助下，韦立锋奋不顾身救出小美，因此也获得陈小美的爱情。

离婚真难

琳丹一直喜欢着帅气英俊的高洋，但是高洋已经结婚了，拥有一个美丽动人的妻子琳丹只能把心里这份爱藏在心底。没想到，高洋的妻子却不能生育，在高洋的母亲逼迫之下，高洋的妻子只能选择离婚。深藏在琳丹心里的感情又再次翻涌。琳丹决定要嫁给面前这个不爱自己的男人。结婚后高洋并不爱自己，没想到，高洋的前妻却又回来了…………面对危机，琳丹到底会怎样去面对？